April 8, 2008

Sharkwater

sharkwater

Reviewer: Craig Phillips
Rating (out of 5): ***

Rob Stewart's gorgeously shot, informative - and wistful - documentary Sharkwater is about that mysterious and fascinating, and, the film argues, the most misunderstood, of all sea animals. If the film sometimes gets a little choppy, the filmmaker's passion for the subject and the disturbing revelations to be gained from watching the film make it more than worthwhile.

The youthful Canadian underwater photographer and biologist Stewart, who quit his job to make this film, narrates and "stars," along with a host of sharks. Sharkwater begins with montage VO from old shark documentaries which include a hilariously misinformed bit of instruction from the Navy on scaring off sharks when in the water, followed by montage of media portrayals of shark attacks, adding to the fear factor. It "makes 'good television," says one frustrated shak researcher. But after initial, entertaining educational section of the film, it segues into a disturbing examination of how sharks are being illegally hunted - most often, and most cruelly, for their fins - as Stewart joins in with GreenPeace's Paul Watson, a fellow Canadian and one of the most passionate and renowned defender of marine life.

Continue reading "Sharkwater" »

March 14, 2008

To Iraq. And back.

Reviewer: James van Maanen

To Iraq. And back. Followed by torture, terrorism, genocide--and history.

The films under consideration and their ratings (out of five):
Redacted (* * *½)
In the Valley of Elah (* * *½)
Rendition (* * * *)
Terror's Advocate (* * *)
Screamers (* * *)
Goya's Ghosts (* * * *½)

One of the beauties of DVDs is that you can rent a batch of similarly-themed movies and--over a weekend or a week--expand your knowledge and appreciation of our world due to the opportunity to see these films (along with their "Special Feature" extras) as a group in which one enriches the next and/or harks back to its predecessor. A single day in February saw the release of four such movies (Redacted, Rendition, In the Valley of Elah and Terror's Advocate) preceded one week earlier by Screamers and followed the week after by Goya's Ghosts , a film that surprised me by unexpectedly bringing many of the themes of the former five together under the panoply of history.

redacted

Continue reading "To Iraq. And back." »

March 3, 2008

State of Play

stateofplay

Reviewer: Dylan de Thomas
Rating (out of 5): ****

Much like the terrific Traffik before it (later turned into Steven Soderbergh's Oscar-winning Traffic), State of Play is the latest miniseries from the UK that will shortly be made into a feature stateside (starring Russell Crowe and Ben Affleck). The miniseries casts a jaundiced eye at politics and journalism, two professions at least as disgraced as the drug trade.

The plot is set up with a lean but mesmerizing ferocity: a young black teenager is chased and shot in cold blood while the researcher - and illicit lover, we find out shortly - of a rising-star Member of Parliament (played by David Morrissey) is found under a train. What follows takes the shape of a newspaper's investigation into the two deaths and all the muckraking that entails. The series rewards close viewing as minor characters amble in and shortly become the focus for the run of show.

Continue reading "State of Play" »

February 20, 2008

Blue State

bluestate

Reviewer: James van Maanen
Rating (out of 5): ***½

As a writer/director, Marshall Lewy had made only three short films before his full-length debut with the remarkable Blue State, about as timely and daring a movie as you are likely to see. It's not perfect, and it probably bites off more than it can properly chew, let alone digest. Yet, after all the documentaries we've viewed over the past eight years, during which has occurred the steepest, most noticeable--from without and within--decline in the reputation of the good ol' USA, someone has at last had the balls to make a narrative feature about this. It almost seems beside the point that Lewy has turned out a good movie--funny, decent, political, romantic, humane. The fact that he's managed to address pointedly and honestly what so many of us felt after the 2004 election is wonderful. But there's more to it than that.

Continue reading "Blue State" »

December 17, 2007

Czech Dream: A welcome consumer nightmare

czech

Reviewer: James van Maanen
Rating (out of 5): ****

Any movie that knocks about your most cherished belief, say, that Capitalism--or, what the hell, Communism, Christianity, the Internet, the motion picture industry--is the greatest achievement of the modern world, is to be treasured. Doubting one's dream is generally salutary, and Czech Dream leaves us doing just this—and more; this little (less-than-90-minutes) documentary is a knockout.

The concept is certainly original and funny: Filmmakers Vít Klusák and Filip Remundathe use modern marketing techniques to wage a massive promotional campaign for a super-supermarket in the Czech Republic--only it's all a ruse. The film is full of surprising and meaningful moments, all along the way: the ad man explaining why he can't "lie" is wonderfully ironic, even touching, in its naiveté. But the best is the last half hour, once the hoax has been unmasked. Seeing/hearing the various Czechs give us their thoughts and feelings on the matter forces us, too, to stop and think about how we are all manipulated, by all the media--left, right and center--all the time. These two Czech filmmakers, bless their hearts and minds, have opened the door a crack wider so that we can begin to see and understand this influence/control of the people by the powers that be and by society itself, our ever-loving peers.

Continue reading "Czech Dream: A welcome consumer nightmare" »

November 27, 2007

So Goes the Nation

nation

Reviewer: Henry Leineweber
Rating (out of 5): **½

So Goes the Nation takes a look at the grassroots mobilization of voters during the hotly contested 2004 Presidential election. Documentary filmmakers Adam Del Deo and James Stern (who's had a more successful career as a producer) follow rival bands of political volunteers for the Kerry and Bush Ohio campaigns, in an examination interspersed with interviews with more well-known national political and media figures.

Although the film is an interesting look at the campaign strategy of the 2004 election, sadly it also already feels a little dated as we gear up for the next Presidential race. Folks that are interested in politics will regard much of the subject material as old news and other viewers might be turned off by the wonk-ish nature of a film that examines the nuts and bolts of campaign strategy.

But for newcomers to the political scene, So Goes the Nation provides a worthy refresher course on the 2004 election. The director commentary provides some added insight into the making of the documentary and more background on the personalities interviewed.

Overall So Goes the Nation is a solid, admirably fair-minded film, but most people will probably be more interested in 2008, than 2004.

See also: Unprecedented: 2000 Election ; Bush's Brain

October 26, 2007

No End in Sight: Intellectual "shock doc"

no end

Reviewer: James van Maanen
Rating (out of 5): ****½

The ever-charming, always good for a jest-at-the-expense-of-the-dead Donald Rumsfeld leads off Charles Ferguson's No End in Sight, one of the best of the umpteen Iraq documentaries so far. Rummy makes a statement that, if any justice still prevails, should come back to haunt him and his "Decider" for the rest of their wanton lives. The movie--which covers the inane and terrorist-producing lack on the part of the Bush administration of any intelligent plan for what might happen once its fake "Mission Accomplished" occurred--treads relatively new ground among the Iraq docs. It speaks with people from whom we've not heard much: Jay Garner, the man originally in charge of post-invasion Iraq; Ambassador Barbara Bodine; Richard Armitage, Deputy Secretary of State; and many more. What these people tell us, without mincing words but also with more pain, shock and regret than anger (the latter has undoubtedly already been spent), results in a very nearly air-tight case for the war being run about as badly as possible.

Continue reading "No End in Sight: Intellectual "shock doc"" »

August 8, 2007

House of Cards

housecards

Reviewer: Dylan de Thomas
Rating (out of 5): ****½

With Tony Blair stepping down as the long-time Prime Minister of Great Britain and his replacement, Gordon Brown, spending the weekend with W. at Camp David, I thought it would be a good time to recommend the excellent House of Cards trilogy of miniseries, starring veteran British actor Ian Richardson as the fictional Prime Minister Francis Urquhart.

House of Cards, the first of the three series (the other two are To Play the King and The Final Cut), with its perfect blend of Macbeth and Richard III, of humor and drama, is the best--though once you start watching, stopping is hardly an option. The most obvious influence on the character is the aforementioned Richard, with his gleeful, cool, perfectly-reasoned badness and regular catchy audience-addressing. One halfway expects Urquhart to start speaking of his winter of discontent at any moment.

Continue reading "House of Cards" »

June 7, 2007

Regular Lovers: "Dreamers" of a Different Sort

lovers

Reviewer: James van Maanen
Rating (out of 5): ***

It would appear, from much of the critical response to Philippe Garrel's Regular Lovers, that one must either love it, while despising Bertolucci's The Dreamers--or vice versa. Forget this sort of either/or nonsense: There is no reason not to appreciate both films, the subject matter of which is the French student revolution of the late 1960s, and some of the young people involved. The Italian version is rich, colorful, highly sexual and perverse--concentrating on a sophisticated French siblings who seduce a somewhat naïve American student. Garrel's take is starker, realistic (if oddly chaste) and much longer. The Bertolucci comes in at just under two hours; Garrel's is two minutes short of three. Considering the many times the director holds his camera on a character--watching and waiting--for my money, the film could have dropped at least half an hour and suffered no great loss.

But Garrel's insistence on forcing the viewer to stay with his characters thru moments of intense sadness or meditation has a semi-pay-off. You sense more acutely how the person is suffering and thinking, but then somewhere along the way, you also realize that you have now seen, felt and learned all the possible lessons, and...can we move on, please? As director/co-writer, Garrel concentrates on the non-growing-up of student/would-be-poet/draft dodger (played by his son, Louis Garrel) and the romance that blooms between him and a young woman sculptor (a terrific performance by Clotilde Hesme).

Continue reading "Regular Lovers: "Dreamers" of a Different Sort" »

May 29, 2007

Secret Life of Words: Quietly powerful

fur

Reviewer: Erin Donovan
Rating (out of 5): ***½

Perhaps it's fitting and unsurprising that a small, quiet (Canadian, natch) film about the lingering effects of war, strife and torture was unable to permeate the membrane of spangles and schmaltz that make up the awards frenzy over December releases. But people who stand up and applaud when our presidential hopefuls beat their chest demanding more torture would be well served to acknowledge the longview of becoming indifferent to state-sanctioned violence.

Isabel Coixet (My Life Without Me) revisits the themes of dysfunctional introversion as coping strategy with her third film The Secret Life of Words. Sarah Polley plays Hanna, a Yugoslavian factory worker living a monastic lifestyle of repetition and solitude in grimy Belfast. The factory's manager is so bothered by both her foreignness (at one point hastily mentions "my wife is also... an immigrant!") and her unwillingness to socialize that he forces her to take the vacation she's accrued.

Continue reading "Secret Life of Words: Quietly powerful" »

May 14, 2007

The President's Last Bang

bang

Reviewer: Dylan de Thomas
Rating (out of 5): ****

Like slapstick and belly laughs along with your bloody political assassinations?

Well, Im Sang-Soo's The President's Last Bang, a pitch-black political comedy about the unlikely bumbling murder of South Korean President Park Chung-hee, should suit your particular predilections.

Last Bang is, in turns, a queasy, confusing and riveting thing as it goes about its darkly funny business. It's a lean film, working quickly and cleanly through the narrative. Sang-Soo lays it all out a bit like a chamber piece, with the events mostly playing out at one location over the course of a single night. The first half echoes The Rules of the Game or Gosford Park, sketching the social station of those involved before leading us to the proverbial Main Event - the dinner party where President Chung-hee will be killed by the director of his own Korean CIA.

Continue reading "The President's Last Bang" »

April 23, 2007

Hacking Democracy: Showing up Diebold for what it is.

hacking

Reviewer: James van Maanen
Rating (out of 5): ****½

How is it that the Diebold company still exists? In a country in which the citizens were more interested in their real well-being (rather than in being entertained into oblivion), any firm that provided completely "hackable" (perhaps intentionally so) voting machines that provided wrong results and then lied again and again about this fact would be out business, its leaders jailed, and its machines placed on the junk heap where they belong. Not here in the U.S., of course, where, these days, political connections trump ability, decency, common sense and all the other positive virtues. The documentary Hacking Democracy, first shown on HBO, tracks the course of one surprised, inquisitive and steadfast PR woman who begins to question voting results from Diebold's machines and turns this into full-time work that may yet pay enormous dividends to the American public. We watch, mouths agape, as Bev Harris and her co-workers track down more than enough evidence of wrong-doing (intentional or merely stupid?) at various poll sties across the country.

Continue reading "Hacking Democracy: Showing up Diebold for what it is." »

March 7, 2007

Man of the Year: Shift your expectations

Reviewer: James van Maanen
Rating (out of 5): ***½

A word of praise is in order for the much-maligned Man of the Year, the Barry Levinson/Robin Williams collaboration that critics (certainly) and audiences (perhaps) were expecting to be something along the lines of Wag the Dog in its satire and bashing of our current administration. Well, it ain't. What it is, however--a comedy about politics and the media, along with some thrills and romance--is still very much worth a watch. To begin with, the Prez pictured here is a Democrat, so we know right off we're in fiction-land. The TV host/commentator, a nicely restrained Williams, may be modeled on Jon Stewart (he's mentioned in the film) but remains an original: Imagine Robin having his own comic-takes-on-the-news show, and you'll probably come close to what appears here. The election in question, with all ballots being handled electronically, hits close enough to home to give us pause, and with the always wonderful Laura Linney playing a top-level software specialist in the Diebold-like firm responsible for the voting machines, we're off and running.

Continue reading "Man of the Year: Shift your expectations" »

March 1, 2007

The Blood of My Brother

Reviewer: Walt Opie
Rating (out of 5): ***½

One over-riding question that arises while watching Andrew Berends' 2005 Iraq-set documentary The Blood of My Brother is, how did an American filmmaker get access to all of this, short of joining Sayid Moqtada al-Sadr's Mahdi Army himself? Several reviewers have already commented that much of the footage here puts Western media coverage to shame, and it certainly does. We see inside a mosque during prayer time with hundreds of men lined up shoulder to shoulder; we watch Shia insurgents get charged up and then battle an American tank and an Apache helicopter (feeling oddly mundane compared to scenes from Ridley Scott's Black Hawk Down); and we view badly wounded civilians inside an Iraqi hospital, including young children and elderly men. It seems clear that Berends has a viewpoint he wants to get across, although his goal appears to be more humanitarian than political.

Continue reading "The Blood of My Brother" »

February 26, 2007

Giuliani Time: Who is the real Rudy?

Giuliani and Trump

Reviewer: Erin Donovan
Rating (out of 5): ***

In a recent op-ed piece Cintra Wilson wrote of Republican 2008 Presidential hopeful Rudy Giuliani (seen at right in drag, with Donald Trump, in still from the film):

On 9/11, all Americans were frightened children, and in a moment of mythic personal heroism, Mayor Giuliani filled the gaping leadership void. The president looked like a petrified chimp; Cheney was spirited to an underground bunker. Only Giuliani could pull himself together sufficiently to get on TV in the midst of the wreckage and show America that a grown-up was still breathing. On that terrible day our reptile brains looked at Rudy Giuliani and said, "We're OK now. Daddy's home."

And we forgot, some for a moment, some permanently, that Daddy was psycho.

Giuliani Time focuses on his more "psycho" period in politics, specifically his eight year tenure as mayor of New York City (with a quick overview of his role in Reagan's Department of Justice). The film delves (and at a hefty 2 hour running time that delve is deep) into the civil rights violations and general absurdities wrought by his neo-conservative policies, egotism and political ambitions.

Continue reading "Giuliani Time: Who is the real Rudy?" »

November 3, 2006

Another look at John Sayle's Silver City

Two of us who review for this blog with some regularity have both taken a look at John Sayles' last film, Silver City, and, while I found more fault with it than did James, we both agree it's been unfairly maligned in some circles, and worth a watch in particular this week - with the election coming right up.

My look at Silver City

James Van Maanen's review of Silver City, as seen on GreenCine (see "Talltale").

November 2, 2006

Election: A list.

Vote early, vote often, and then leave yourself some extra time to watch these films about the American democratic process - which may not always be so democratic, but certainly makes good fodder for filmmakers. Ratings are by GreenCine staff and not subject to a recount (but discussion is acceptable).

Ratings (*s) are out of 5.

To make you more cynical and paranoid:

Campaigns:

The Darkly Comical Side:

Historical Perspective:

  • Iron-Jawed Angels ***
  • Any other suggestions?

    Let us know.

    October 31, 2006

    Born In Flames

    Reviewer: Erin Donovan
    Rating (out of 5): ***½

    At last - a DVD release of the movie young, feminist film-makers spent their formative years trading bootleg VHS copies of: Born in Flames. Made in 1983 and touted as "feminist science fiction, Lizzie Borden's Born in Flames is set in the grimy streets of a pre-Giulliani NYC but ten years after a peaceful social revolution that had ostensibly made all Americans equal. However, women are still facing a disproportionate level of violence that the police and local government don't acknowledge ("after all, ladies, you already had your revolution!")

    Continue reading "Born In Flames" »

    October 26, 2006

    Death of a President

    deathofprez.jpg

    Reviewer: Craig Phillips
    Rating (out of 5): **½

    The British-made fake documentary Death of a President, opening in a limited theatrical release tomorrow, has a premise just built for controversy - an investigation of the assassination of President Bush - but in fact it's a well-crafted, thoughtful, even eerie piece of work, the main drawback of which is a certain lack of punch. While writer-director Gabriel Range's work here harkens back to Peter Watkins' films of the 1960s (Punishment Park, The War Game), Watkins was more of a provacateur.

    The fake interviews here are much more believable than many in similar films - such as CSA: Confederate States of America (although recognizing the mom from Freaks and Geeks as the president's special advisor and James Urbaniak - well cast - as a forensics expert was momentarily jarring for me) and it seamlessly weaves in new, recreated footage with existing footage of the President - including a (perhaps too lengthy) segment of Bush's speech to the Economic Club of Chicago prior to his "assassination" - along with other real life "characters" to give the film an immediacy. Chicago makes an unsettling location for the crime, too, with the Chicago police in full riot gear and mayor Richard M. Daley, son of Richard J., reminding of the chaos that ensued at the Democratic convention in 1968.

    Continue reading "Death of a President" »

    October 11, 2006

    Our Brand is Crisis

    Reviewer: Erin Donovan
    Rating (out of 5): ***½

    With not even enough national wins under their belt to count on one hand, why wouldn't three of the top-paid American political consultants franchise out their brand of vague market-driven democracy and export it around the world? The fascinating documentary Our Brand is Crisis dares to ask, what's the worst that could happen? The film recounts the 2002 Bolivian presidential race when Bolivian-born political exile Gonzalo "Goni" Sanchez was elected with the help of GCS, an American political consulting firm started by Stan Greenberg, James Carville and Bob Shrum.

    Continue reading "Our Brand is Crisis" »

    October 8, 2006

    Al Franken: God Spoke

    frankendoc.jpg

    Reviewer: Craig Phillips
    Rating (out of 5): **½
    In theaters now.

    To me, Al Franken is like an uncle who has an amusing, if corny, sense of humor, whose politics you admire and agree with, and who often repeats himself to the point of tedium.

    In many ways Chris Hegedus and Nick Doob's new documentary about, and starring, the comedian/author, Al Franken: God Spoke [official site], is a film in search of a story. But if one thinks of it as a character study framed by politics - and, obviously isn't a right-winger who has Franken on their public enemies list - then the doc is an entertaining, fitfully amusing watch.

    Continue reading "Al Franken: God Spoke" »

    September 27, 2006

    Winter Soldier and The Police Tapes

    Reviewer: Erin Donovan
    Rating (out of 5): **** for both

    Both Winter Soldier and The Police Tapes were made cinema verite style by film-making teams (Winter Solider by a 19-person collective, The Police Tapes by husband and wife team Alan and Susan Raymond). When viewed together the films provide a time capsule into the tail-end of a period of social upheaval in America, but also two unique voices about the destruction wrought by moral indifference and national ennui. In the case of Winter Soldier it's a "blank check" approach to a poorly strategized war against a misunderstood enemy; in Police Tapes it's the cycle of unrelenting brutality that flourishes when poverty goes ignored.

    Continue reading "Winter Soldier and The Police Tapes" »

    August 28, 2006

    Quickie review: Bloody Sunday

    Reviewer: Craig Phillips
    Rating (out of 5): ***½

    With his shattering, if occasionally hard to watch, United 93 now out on DVD, I highly recommend paying a visit to Paul Greengrass' earlier, brilliant Bloody Sunday. The film's a knockout, so charged is the atmosphere it recreates - the fateful day in 1972 in Northern Ireland when a civil rights protest turned deadly, capturing the chaos and frenzy of street anarchy better than just about any film since Battle of Algiers. Sunday was criticized by some in Britain for having a "pro-Ireland" bias, but this is cin�ma v�rit� - gripping, even shocking stuff. Don't miss it.

    August 22, 2006

    Iraq War Primer: A List of Docs

    A complex war that has dragged on, with emotions remaining high, opinions still conflicted, and - often lost in the shuffle as pundits and scholars debate the diplomatic angles - the lives of the Iraqi people fragmented. No one should claim to fully understand what it's like to live amidst the rubble and daily chaos, but for Iraqis and for soldiers stationed in the middle of it all, a good number of films now serve to tell their story. As an introduction to the conflict, we recommend these disparate but passionate documentaries (our starred rating for each film follows): Updated! May 2007.
      Not yet on DVD:
    • Soldier's Pay

    July 15, 2006

    The Bank

    Reviewer: Craig Phillips
    Rating (out of 5): ***

    Robert Connolly's The Bank is a well-made, tense little thriller from Down Under which manages to make the world of finance and math interesting, even to those of us who don't religiously follow NASDAQ. The opening credits, reminiscent of Vertigo, pull you in, the Philip Glass-like music hypnotizes you, the Wall Street-like morality debate will fascinate. While some of its elements don't feel all that fresh (and listening to the director's fairly pretentious audio commentary won't change your mind), The Bank is presented in a fresh way, the acting is quite good, and the ethical dilemmas debated (huge corporate banks that care not one iota about the common man) are extremely timely. It's a bit funny to see Australian actor Anthony LaPaglia, more often seen these days on American TV shows and American movies, being in a film from his home country and yet playing an American - but he does so quite well. The characters aren't as deep as you might hope for, but deep enough as thrillers go, and the farm family in particular is poignantly captured. There are some genuinely surprising (if occasionally farfetched) little twists as the plot unfolds, and the moody and tense atmosphere of this cool, unfeeling world is heightened by Tristan Milani's cinematography. All in all, well worth a rental for anyone looking for a thriller that doesn't pander to the audience. -- Craig Phillips